Showing posts with label hermeneutics. Show all posts
Showing posts with label hermeneutics. Show all posts

Wednesday, August 12, 2009

Stories the Bible Doesn’t Tell: The Non-Normative Nature of Normative Narrative

MIT brain scientist Jeremy Wolfe, talks[1] about a fortunate mistake our brains make. When reconstructing the past we actually have very few fixed points of reference and interpolate between them using our imagination. Studies have shown that this causes us to project our current feelings about the event into our historical experience. The problem our brain is solving is that information is ‘expensive’ to store; so we get away with storing less data by having complicated imaginative ‘reconstituional’ software that simulates the past[2] based on our relatively limited points of reference. Therefore, much of what we ‘remember’ is not actually composed of memories, but of imaginative ‘simulations’ based on relatively few actual recollections.

I think this is analogous to one of the biggest problems we have with reading and interpreting narrative. In fiction, it is important not to waste space with mundane details. Stories are told with relatively few points of reference.[3] This is why no one goes to the bathroom in movies and one of the rules of writing fiction is to never describe the experience of waking up, because that is something everyone does and does not tend to move the story forward. These tend to be helpful conventions, limiting stories to the interesting parts and sparing the reader thousands of pages of tedious description.

Normative Non-Fictional Narrative

However, for what I will call, normative non-fictional narrative[4], this is a problem. When we read the Book of Acts, for example, we remember the miracle at the pool, Peter’s great sermon, Paul’s conversion…the dramatic moments. And then, when we compare them to our sad lives, we can feel diminished…disappointed in ourselves and underwhelmed by the acts of God in our generation. There appears to be an empirical disconnect between the dynamic works of God on the pages of Scripture and the repetitive monotony of our daily lives.


But the big mistake we make in interpreting biblical narrative is to read it without respect to genre. Genre gets a lot of attention in hermeneutics, and rightly so, but there is an interpretively important genre that never seems to get mentioned…the highlight reel.[5]

What Biblical narrative necessarily omits[6] is the tedium. The unremarkable MONTHS that passed on the road between Antioch and Ephesus. The lonely hours of chasing elusive sleep on some undulating surface that was as close to horizontal as could be found. The 30 years that the God of the universe spent working as a carpenter. The 40 years Moses spent tending sheep. The 12 years Paul spent quietly in Antioch after his conversion. The 18 years of diapers, spit up, getting out of bed and going to work, that elapsed between Philip’s missionary adventure and his hosting of Paul. These events, and others like them, which make up the vast majority of salvation history, get less than a sentence apiece and mainly reside in the white space of your Bible.[7]

Philip’s Normative Narrative

Philip is the most interesting human character in the book of Acts, as far as I am concerned. He was the first to realize that the gospel was for the Gentiles. He was a multi-cultural pioneer. He was young, adventurous, brash, spiritually sensitive, and slightly impetuous. Acts 8 describes him performing miracles, preaching and healing the sick in Samaria without regard to the bitter racial hatred that should have kept him far away from ‘those people.’ He lived exciting months as a gospel pioneer from city to city; going on adventures and living in the daily the power of God. But the last we hear from him in Acts 8:40 is in Caesarea. He simply disappears from the story. Most people extrapolate from his early adventures and figure he spent his life doing crazy stuff for God in lands so distant that the stories simply didn’t make it back to Luke, due to their shear remoteness. But that is not what happened.

We meet Philip again 20 years after his adventures, when he hosted Paul (Acts 21) and are told that he has four remarkable daughters between the ages of 14 and 18[8]. FF Bruce essentially says, ‘Do the math…Philip met a girl and it put an end to his missional gallivanting.’ The story the Bible doesn’t tell is that the fiery young Philip almost certainly met a girl in Caesarea and live 20 faithful years as a generous, committed, active servant to his local church and community…and as an exceptional father. These are good strong years…the kind of years that the kingdom of God is built out of…the kind of years he should be proud of…the kind of years we could be proud of…but not the kind that ‘make the Bible.’ And, this is what is so widely misunderstood. The fact that we don’t hear the story of these years is evidence that they are more, not less, normative.

Telling the Stories the Bible Doesn’t Tell

But preachers tend to be enamored with Peter and Paul.[9] As full time ministers, they see Peter and Paul as the vocational role models in the Scriptures. And so, they tend to prepare and preach sermons for other full time Christian workers forgetting that they deliver them to churches full of people who are not. What they generally fail to recognize (or at least articulate) that the stories of the Bible are in the Bible, specifically because they are non-normative. Hero stories need to be de-centered in order to instruct the rest of us. The Bible could not do this without becoming overly long and tedious. The responsibility falls on the exegete.

Actually, one of the really interesting things about Acts is that it self consciously undermines the potential for hero worship or cults of personality. Peter himself simply disappears from the story after chapter 15. The story of God’s fledgling church is bigger than any individual. If Acts is the story of remarkable individuals, than most of us will, definitionally[10], be left deflated. We might find in intriguing but can not find it helpful or normative. But if it is the story of God building a community of faithful individuals who got up each day and went to work so they would have money to give to the poor…who raised kids in the faith…who were open with their neighbors and coworkers about the work of God in their lives…who shared their houses with other recently converted (and probably quite annoying[11]) individuals from a variety of unsavory backgrounds…it becomes a story that has the power to inspire and instruct the rest of us. It is incumbent upon exegetes to transcend their own ministerial interest in the text to find the normative narrative for the rest of us.

And that is just Acts. I would love to read a really tedious Bible book called ‘Moses: The Midian Years,’ documenting the 40 years of sheep herding in the desert that God used to form him into the charismatic leader and liberator that we admire. It turns out that boredom is one of the tools that God uses to shape his people. How dramatically does that change the way we look at ‘the Christian life’?


The Bible is textually parsimonious by necessity. Because of that, some of the normative narrative between its covers is in the stories it does not fully tell. The preacher has time to linger where the text does not[12]. By telling the tedious tales of Paul’s 12 years of preparation or Moses’ 40 years of sheep herding or Philip’s 20 years of faithful parenting, the dramatic stories of the text come into focus as the special, episodic, interventions of Yahweh who, on the whole, prefers some measure of hiddeness. The text comes into line with our experience of Him[13]. It becomes the normative story of a people of faith and faithfulness.

This post was written while listening to Sam's Town by the Killers

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[1] http://ocw.mit.edu/OcwWeb/Brain-and-Cognitive-Sciences/9-00Fall-2004/CourseHome/index.htm
[2] Similarly, psychological studies have demonstrated that we use our imagination to fill out our predictions of the future with the emotional furniture of our present. This, he contends, with Daniel Gilbert in Stumbling on Happiness, is why we are so bad at predicting what will make us happy. But that is another post.
[3] With 24 being the obvious counter example. Though even 24 gets away from mundane detail by switching between parallel story lines and somehow getting Jack Bauer across LA in 20 minutes during peak traffic.
[4] By normative non-fiction I am referring to any body of literature that someone would try to model their own life after. There are a few different examples. But, if you have read this blog before, you will not be surprised to know that I am thinking of the narrative portions of the Bible.
[5] I recently attended a conference on ecosystem restoration. One of the speakers essentially said, “Many of you wish you were getting the kind of money budgeted for the everglades. Well, let me tell you, so does the everglades.” I feel like there is a sense in which people wish their lives were always like those of the characters of the Bible, and my response is, so do the characters of the Bible. With the exception of the life of Jesus himself (the events of which we are told would fill countless books) a detailed account of the life of any Biblical character would likely be relatively tedious.
[6] Because, let’s face it, it is a relatively longish book with a fair number of nap inducing portions as is.
[7] Recognizing that the Bible is authoritative yet incomplete is also the answer to a number of apologetic questions. Consider the following take by Augustine in the City of God: “It may seem incredible that a city should have been built by one man at a time when there were apparently only four men in existence on earth…But those who are worried by this have given too little consideration to the fact that the writer of this sacred history had no need to mention by name all the people who may then have existed.”
[8] The text actually says 4 daughters but the Greek word is woman of marriageable age, meaning that for the youngest to be of marriageable age, the oldest would have to have been born shortly after his arrival in Caesarea (also from Bruce).
[9] This post had a number of working titles including the 2 I used and “Enough with Paul Already: De-Centering Acts for the Church’s Role Players”
[10] Because, as the Incredibles insightfully established, if everyone is special, no one is.
[11] Seriously, could you imagine joining one of the early small groups in Corinth with slaves and temple prostitutes and sailors and some untrained small group leader who just had a couple of letters from Paul to work off of. We romanticize these narratives to our detriment.
[12] Obviously, preaching should focus on the main point of the text. But what I am arguing is that to understand the text theologically and to extract compelling, appropriate applications for a lay audience, the temporal context has to be considered in addition to the historical-grammatical context.
[13] In a recent conversation with a young man I am mentoring I suggested that if I were to experience 5 legitimate, unequivocal miracles in my life (beyond the standard workings of God in birth, rebirth and sanctification) I would consider it a lot. That was a crass extrapolation (I have been a Christian for 15 years and have experienced 1) but gets at what I believe a careful reading of the scriptural narratives tell us. God prefers to work in episodic bursts between long periods of faith and faithfulness. We could call it a sort of ‘punctuated equilibrium’ of divine activity. This, incidentally, is the main point of Lewis’s Prince Caspian which kind of came out in the movie despite the totally unnecessary sexual tension between Susan and Caspian that I am still pissed off about.

Saturday, December 20, 2008

Is the ‘Neon Bible’ Right?

The Arcade Fire[1] is indisputably one of the most successful indi/alternative rock bands of the last 5 years. I honestly wish I had a nickel for every chat room or comment block mention of them as ‘the greatest rock band of our generation.’ So I approached their first album, Funeral, with eager expectation. While I found the hyperbole overstated, it was a very fine album with fertile themes of community, neighborhood, family and the human condition. The Arcade Fire certainly falls on the list of my favorite things that are Canadian with hockey, beaver tails[2], Toronto, Banff, the Burgess Shale, Samantha Bee, the Drumheller dinosaur museum, the ‘two-ny’[3] and our friends Richie and Allen. So I moved on to their second album with heightened expectation.


The first time I listened to Neon Bible, I knew it was a thematically provocative piece. As pipe organs and orchestras swelled I caught lines like:

“…It's in the Neon Bible, the Neon Bible…”

“…Working for the Church while your family dies…”

“…Dear God, I'm a good Christian manIn your glory, I know you understandThat you gotta work hard and you gotta get paid…”

But, because their lovely artistic mumbling I didn’t catch half the words until my third time through it. By then I was pretty sure that it was an acerbic anti-Christian album. But after many more listens and a careful reading of the lyrics, I think it is far more complicated than that. Neon Bible is unquestionably dark. It is bitter and cynical about culture, commerce, media and the church. But upon more careful reading, I don’t really think they are making a full frontal attack on Christianity or faith. There is no doubt that faith is the pejorative theme of the work, but it is not so much faith itself, but the unholy alliances it makes with politics, television, celebrity culture, consumerism and the like. Win said in one interview “There's definitely an aspect of religion always combining with culture and becoming a third thing.” I think this idea is the thematic heart of the album. In this sense, it is a prophetic album, with themes that I often resonate with. Here are some thoughts on the most overtly spiritual tracks. But since this is an interpretive exercise it will also be a reflection on hermeneutics[4] in general:

Neon Bible

A vial of hope and a vial of pain
In the light they both looked the same
Poured them out on into the world
On every boy and every girl

It's in the Neon Bible, the Neon Bible
Not much chance for survival
If the Neon Bible is right

Take the poison of your age
Don't lick your fingers when you turn the page
What I know is what you know is right
In the city it's the only light


I have read a wide variety of interpretations of the title track. They range from the wholesale dismissal of Christianity to a critique of television.

The former interpretation takes its clues from “Not much chance for survivalIf the Neon Bible is right”

The latter takes the opening verse as a description of how the news delivers genocide and famine (a vial of pain) in precisely the same ‘entertainment’ medium as it reports amusing trifles or stories of beauty, justice or courage (A vial of hope…/In the light they look the same)

I think the meaning is something between these. In an interview Regine said that she thought of the title when she saw a church with a neon sign.[5] But there are themes of Television and consumerism as well. I think, fundamentally, they are decrying the contamination of religion in general and Christianity in particular with the more vapid aspects of our culture.
Intervention

The king's taken back the throne
The useless seed is sown
When they say they're cutting off the phone
I tell 'em you're not home

No place to hide
You were fighting as a soldier on their side
You're still a soldier in your mind
Though nothing's on the line

Who's gonna throw the very first stone?
Oh! Who's gonna reset the bone?
Walking with your head in a sling
Wanna hear the solider sing:
"Been working for the Church while my family dies
Your little baby sister's gonna lose her mind
Every spark of friendship and love will die without a home"
Hear the soldier groan "We'll go at it alone.

This is the most obvious Rorschach of the album. Many think it is about Bush and Iraq and the idea of a Holy war. I think that is pretty likely. If I could employ the hermeneutic of analogy
[6] it fits in with the larger theme of contaminating Christianity with the dark institutions of our world…in this case, politics.

But this interpretation does not seem to account for all of the themes. And so since I have nothing else regarding an ‘authorial intent’ interpretation, let me give you some reader response.

This song reminded me of the many soldiers I know
[7] that subsequently went into the ministry.
The line "Been working for the Church while my family dies” also conjures the image of my broken propensity to put the programs of the church above my responsibility to be emotionally and temporally available to my family. I actually think this second point fits into my hypothesized, overall theme, of human institutions as impediments to faith. I love the Church,
[8] but the church’s programs can undermine its mandate.


"Antichrist Television Blues"


I don't wanna work in a building downtown
No I don't wanna work in a building downtown
I don't know what I'm gonna do
Cause the planes keep crashing always two by two…

Dear God, I'm a good Christian man
In your glory, I know you understand
That you gotta work hard and you gotta get paid
My girl's 13 but she don't act her age
She can sing like a bird in a cage
O Lord, if you could see her when she's up on that stage!...

Wanna hold a mirror up to the world
So that they can see themselves inside my little girl!

Do you know where I was at your age?
Any idea where I was at your age?
I was working downtown for the minimum wage
And I'm not gonna let you just throw it all away!
I'm through being cute, I'm through being nice
O tell me, Lord, am I the Antichrist?!


This is, without a doubt, the most disturbing song on the album. The interpretive key is
that it used to have a working title ‘Joe Simpson.[9]’ If this is true the line “So that they can see themselves inside my little girl!” is beyond disturbing.
Like the political interpretation of Intervention, this track paints a picture of a man who uses his faith to justify, or even encourage him to throw his daughters under the machine of our celebrity culture.

My Body’s a Cage

I'm standing on a stage
Of fear and self-doubt
It's a hollow play
But they'll clap anyway…

I'm living in an age
That calls darkness light
Though my language is dead
Still the shapes fill my head

I'm living in an age
Whose name I don't know
Though the fear keeps me moving
Still my heart beats so slow…

My body is a cage that keeps me
From dancing with the one I love
But my mind holds the key

You're standing next to me
My mind holds the key

Set my spirit free
Set my spirit free
Set my body free

To me, the most obvious interpretation of this is a longing to be free of moral corruption. In Paul’s words:

1Now we know that if the earthly tent we live in is destroyed, we have a building from God, an eternal house in heaven, not built by human hands. 2Meanwhile we groan, longing to be clothed with our heavenly dwelling, 3because when we are clothed, we will not be found naked. 4For while we are in this tent, we groan and are burdened, because we do not wish to be unclothed but to be clothed with our heavenly dwelling, so that what is mortal may be swallowed up by life.

There is very little doubt in my mind that that is eisegesis based on my perspectival biases. Yet for lack of a better interpretation I am going to go with it, making My Body’s a Cage my favorite track.

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[1] The band is built around a husband wife team of Win Butler and Regine Chassagne, is based in Quebec and is known for nearly orchestral arrangements. Both Funeral and Neon Bible were nominated for Grammys
[2] Not the actual tails, they are far too chewy. This is a version of fried dough we used to get every time we went to ottowa on family trips which was more than anually
[3] Canada’s first dollar coin had a loon on it so they named it ‘the loony.’ When the two dollar coin came out it was just an exercise in theme and variation.
[4] The study and practice of interpretation.
[5] My favorite part of this interview is when Regine talks about the church the bought to record in and says ‘It is funny that they get turned into condos where no one speaks to their neighbour. Nobody even knows who lives next door!’
[6] This is an interpretive method that suggests that if a certain pericope proves resistant to interpretation you should, at least, bound your interpretation by the themes of the larger work. Of course the problem with the hermeneutic of analogy is that if you get the overall theme wrong you will find many pericopes difficult to harmonize and will just impose your erroneous interpretation on them…which I may very well, in fact, be doing here.
[7] I became a Christian at an on base youth ministry at Ft Drum in Northern NY. Much of my early spiritual development was overseen by mentors that received much of theirs from the West Point Navigators chapter.
[8] I will post on this idea soon.
[9] The ex-pastor single parent father of Jessica and Ashley